04.26.10 – A Monday

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note

As I announced last Friday, this will be the last week of the euneJeune daily. I hope you all enjoy my final five posts. Thanks for reading.

word

profusion [pruhfyoo-zhuhn] n. 1. abundance; abundant quantity 2. a great quantity or amount (often fol. by of) 3. lavish spending; extravagance

birthday

Marcus Aurelius (121), Muhammad (570), Charles Goodyear (1804), I. M. Pei (1915), Carol Burnett (1933), Duane Eddy (1938), Bobby Rydell (1942), Gary Wright (1943), Giancarlo Esposito (1958), Joan Chen (1961), Michael Damian (1963), Jet Li (1963), Kevin James (1965), Tionne “T-Boz” Watkins (1970), Jordana Brewster (1980), Channing Tatum (1980), Jessica Lynch (1983)

standpoint

During the late 80s and early 90s, The Mann Center for the Performing Arts, an outdoor amphitheater in Philadelphia’s Fairmount Park, was the place to see live music for those of us who were old enough to drive but too young to go anywhere remotely cool. I mean, there’s only so many movies you can see. Twice.

Friday and Saturday night concerts at “The Mann” were major happenings. Most every teenager within a 25-mile radius went to every weekend show. Those without tickets, sat on “The Lawn,” a large empty area of grass and dirt to the right and up the hill from the stage or milled around in the section above the concert area where the vendors were stationed. There were no walls just a large chain link fence which obviously did nothing to obstruct sight or sound. It was like having an awful seat for the concert, but it was free.

Below is a seating chart of The Mann. The area in black is where all the youthful debauchery took place.

If Phish or Jimmy Buffett were taking the stage, the crowd outside the concert came close to rivaling those inside. But it didn’t really matter who was playing. Menudo could’ve been opening up New Kids on the Block and The Lawn would still be packed. The Mann was a place we could drink warm beer, try to talk girls into “taking a walk,” watch macho shitheads beat each other senseless and score some pretty awful weed. It was teenage revelry at its finest. Times were good.

For Philadelphia’s Finest, though, times sucked. Between the underage drinking, the blatant drug use and the constant outbreak of fisticuffs, the police definitely had their hands full. I’m sure more than one cop fantasized about opening fire on the crowd on several occasions but stopped short after failing to conjure a solid reason for blowing away a bunch of mindless juveniles, most in possession of nothing more menacing than a hacky sack. (I’m sure the unfortunate workers who had the unsavory task of cleaning up the morning after those nights had similar musings on how to stop us once and for all.) They tried they’re best, though, and I have to give those officers credit for showing the restraint they did.

Like most everything great, those nights at The Mann came to be no more. Barricades were put up to block off  The Lawn and most of the other areas we used to occupy. A zero tolerance for teenage antics was established. You either had tickets or you went home. And, in 1995, The Tweeter Center opened up across the river in Camden, NJ, stealing most of The Mann’s biggest yearly headliners. Forced to adjust, The Mann, originally meant for The Philadelphia Orchestra, returned to a more cultured schedule. A few years back, The Mann started bringing in some hipper acts like The Shins, Passion Pit and a reunited Pavement.

However, the party, as it had been, was over. But it was fun while it lasted.

Anybody out there have favorite memories of The Mann? Share them here.

quotation

We awaken in others the same attitude of mind we hold toward them. Elbert Hubbard

tune

Of those shows at The Mann I actually bought a ticket for, I think the most memorable was a triple bill consisting of The Sugarcubes, New Order and Public Image Ltd. I didn’t know much about P.I.L. (as they’re called) except that the lead singer, John Lydon, was the frontman for The Sex Pistols. But he, and the rest of the band, put on one hell of a performance. Especially fantastic was “Rise.” Here’s the video for that song. At the beginning, notice the distinct lettering that appeared in all of the old MTV music videos. You know, back when they actually used to play them.

gallimaufry

→ Here’s a news item I’m sure only about nine of you will care about: The Fratellis and Voxtrot both called it quits last week. On the same day. Weird.

→ Recently, I finished reading Christopher Moore’s Lamb: The Gospel According to Biff, Christ’s Childhood Pal. I highly recommend it. Almost made me forget I don’t believe in God.

→ In another book related note, I’m halfway through The Audacity of Hope by Barack Obama. I don’t care what your political affiliations are, if you’ve no respect for the formidable genius of our President, I have no choice but to call you an impossible fool.

03.30.10 – A Tuesday

word

miasma [mahy-az-muh, mee-] n. 1. noxious exhalations from putrescent organic matter; poisonous effluvia or germs polluting the atmosphere 2. a dangerous, foreboding, or deathlike influence or atmosphere

birthday

Francisco Goya (1746), Anna Sewell (1820), Vincent van Gogh (1853), Franz Oppenheimer (1864), McGeorge Bundy (1919), Richard Dysart (1929), Warren Beatty (1937), Eric Clapton (1945), Paul Reiser (1957), MC Hammer (1962), Tracy Chapman (1964), Ian Ziering (1964), Donna D’Errico (1968), Celine Dion (1968), Secretariat (1970), Norah Jones (1979)

standpoint

Okay, so the blog is back. My ancient laptop finally waved the white flag and let me know it’d had quite enough. So here I am typing away on the new one and I can’t believe I didn’t do this sooner.

Tomorrow, I’ll start the once again. I’ve amassed a lot of new material topics including musicians selling out (or not), the small town complex of the small town I currently reside in, why you should (almost) never trust anyone you used to date, and how email has made it possible for people who are scared to death of confrontation to circumvent their fear.

Come back tomorrow for some more. Thanks for reading.

quotation

Life is loneliness, broken only by the gods taunting us with friendship and the occasional bonk.Christopher Moore

tune

The Avalanches are one of those music acts who’ve had one song I really like but I’m not too curious to find out more. I’ve listened to “Frontier Psychiatrist” about a million times (give or take), however, until yesterday, I’d never seen the accompanying video. It’s pretty great.

gallimaufry

→ If this guy didn’t all ready understand he was gay, he’s needs more friends like me. I would’ve told him a few decades back.

→ It’s unclear why National Geographic didn’t get in touch with me when they made this. You’d think they might want an expert.

→ When a show is featured in the lectures of a Harvard professor, it should be universally accepted that show is one of the best ever. (Truthfully, I didn’t read the entire article because I’m still not through the entire catalog of The Wire and I didn’t want to run the risk of it ruining anything for me.)